So far one could think from my infrequent blogging here that my main interest is macro photo. On the contrary, what I shoot most is probably people, not bugs. Since my first camera my main subject have been people around me. People I know, people I don't know. Sometimes I ask before I take the picture, have a dialog of sort, get to know the person. Sometimes, it is as much a moment that is the subject as the person, and I take the photo, catch the moment, before it is gone.
The first picture was such a moment. It is taken from a parking house two stores up. I was just focusing a 85mm lens on a young man and woman standing on the small square below while they were talking...not really intending to take a picture, looking for something more interesting...and all of a suddenly they kissed, and I pressed the shutter. The old Konica T3 film SLR in question was both scratching the film (which took some editing to hide) and leaking light which stole contrast from the picture. But it was evident when I saw the negative that I had to save this photo, because I happened to catch a perfect moment of love. Currently picking pieces from the failing camera to save another.
The second photo is shot with a 135mm, the second best 135mm Pentax made, the SMC Pentax 135mm 1:2.5, on a Pentax KX in a shopping center on 400 ISO black and white film. The women are participating in a sort of make up demonstration, so focused that I could shoot the picture without getting their attention. The lights around the mirror certainly help given that they surroundings were otherwise rather dark with only 400 ISO. Perhaps also a moment of love, but for what?
The third photo is shot with a digital Pentax K20D and the SMC Pentax-DA 10-17mm at 17mm. It represents a different approach. The first two shots are taken with help of short tele lenses that allow me to observe and catch the light, the moment, unseen. With the wide angle shot of the old man and the even older motorcycle, I am acting totally openly. He must see me when I take the picture, but he does not care or he only have eyes for the bike. Perhaps this shot is also about love...nostalgic love.
The final photo is taken this last spring on Tri-X film with the SMC Pentax 28mm 1:3.5 on the KX (yes, it is a favourite camera) capturing a busy and a less busy student at the Stockholm University campus. I'm standing right in front of them with the camera openly in my hands. But I am invisible, because it is not in front of my face, I'm apparently fiddling with it, but I can't be taking a photo...can I? Shooting with a wide angle from the hips are also a good method to catch a moment completely naturally. Perhaps this photo is also about love...unfortunately the love for cigarettes.
You may have noticed that all four examples I've chosen are black and white, even if their original had color. This is correct. To me, people have no color. It is easier to isolate and emphasize the important parts in a picture if you do it in black and white. So I believe. But there are exceptions.
The first picture was such a moment. It is taken from a parking house two stores up. I was just focusing a 85mm lens on a young man and woman standing on the small square below while they were talking...not really intending to take a picture, looking for something more interesting...and all of a suddenly they kissed, and I pressed the shutter. The old Konica T3 film SLR in question was both scratching the film (which took some editing to hide) and leaking light which stole contrast from the picture. But it was evident when I saw the negative that I had to save this photo, because I happened to catch a perfect moment of love. Currently picking pieces from the failing camera to save another.
The second photo is shot with a 135mm, the second best 135mm Pentax made, the SMC Pentax 135mm 1:2.5, on a Pentax KX in a shopping center on 400 ISO black and white film. The women are participating in a sort of make up demonstration, so focused that I could shoot the picture without getting their attention. The lights around the mirror certainly help given that they surroundings were otherwise rather dark with only 400 ISO. Perhaps also a moment of love, but for what?
The third photo is shot with a digital Pentax K20D and the SMC Pentax-DA 10-17mm at 17mm. It represents a different approach. The first two shots are taken with help of short tele lenses that allow me to observe and catch the light, the moment, unseen. With the wide angle shot of the old man and the even older motorcycle, I am acting totally openly. He must see me when I take the picture, but he does not care or he only have eyes for the bike. Perhaps this shot is also about love...nostalgic love.
The final photo is taken this last spring on Tri-X film with the SMC Pentax 28mm 1:3.5 on the KX (yes, it is a favourite camera) capturing a busy and a less busy student at the Stockholm University campus. I'm standing right in front of them with the camera openly in my hands. But I am invisible, because it is not in front of my face, I'm apparently fiddling with it, but I can't be taking a photo...can I? Shooting with a wide angle from the hips are also a good method to catch a moment completely naturally. Perhaps this photo is also about love...unfortunately the love for cigarettes.
You may have noticed that all four examples I've chosen are black and white, even if their original had color. This is correct. To me, people have no color. It is easier to isolate and emphasize the important parts in a picture if you do it in black and white. So I believe. But there are exceptions.
because it is not in front of my phase,
ReplyDeleteDoug,
I imagine you meant "face" :-)
I love the first pic; just lovely, perfect.